The Great Migration: A Look at A Raisin in the Sun and the Artwork of Jacob Lawrence and Romare Bearden
Details
Author
Kristen M. Biancuzzo
Topic/Subject Area
Art, Music, Literature, Crafts; African American, Black Life
Historical Era
Progressive Era, World War I, 1900–1928, Great Depression and World War II, 1929–1945, Counterculture, Civil Rights, and Cold War, 1946–1989
Grade Level
High School (9–12)
Creation Date
2013
Last Revision Date
2024
Related items
About This Lesson
Summary and Objective
Images
Romare Bearden, The Dove, 1964
Jacob Lawrence, The Migration of the Negro Panel no. 57, 1940–1941
Objectives
Students will be able to identify specific elements of the two paintings, including images seen, colors, materials used, use of blank space, and setup of picture (distance, perspective, etc.)
Students will understand the impact of the Great Migration through an examination of literature and artwork.
Students will understand the difficulties faced by the characters of the play following its time frame and how that concept was also connected with the author.
Students will utilize visual images, spoken word and history to make connections between literature and historical events.
Focusing Statement
Today we will be reading the play, A Raisin in the Sun, which is about a family trying to move out of their present neighborhood and into a new one. This family has many obstacles to face including race and poverty. We are going to start by looking at Jacob Lawrence’s picture book, The Great Migration: An American Story, to get a sense of some of the issues the Younger family will be facing and then we will examine one of the paintings in particular to search for clues about the type of people we are reading about. As we come to the conclusion of the play we will then consider some of the issues the family will continue to face after the play ends. We will view a painting by another artist, Romare Bearden, to explore the messages and content of his painting to see the connections with the play itself.
Who were the people involved in the Great Migration?
How were these people affected in terms of work, family, home life?
At the conclusion of the play, what do you think life will be like for the Younger family based on your own knowledge and context clues?
Examining Expressive Content
What are things you notice about the painting?
What is the subject matter?
As in literature, an artist chooses the “elements” of their artwork for a variety of reasons in order to set a particular mood or tone. What are some elements the artist is using such as color, line or scale? How do these elements set a mood or tone for the piece? How do the artist’s choices in these areas alter our understanding of the picture? For instance, if Lawrence had chosen to paint the “Migrant Woman” in different clothing or patterns, would that alter our perceptions of the meaning?
How does this painting fit with the picture book, and Jacob Lawrence’s “Great Migration Series”?
How does it connect with the play?
What elements do you see in the picture that might indicate historical references?
Students will read Jacob Lawrence’s The Great Migration: An American Story as a whole class as an activating exercise. Part of the discussion will focus on the layout and setup of the pictures themselves and part of the discussion will focus on the historical content.
Following this discussion students will then choose a research focus area from one of the following topics:
The Great Migration
Living Conditions in New York, Chicago, or Detroit during the 1950s
Employment Opportunities for African Americans in the 1950s,
Living Conditions in the South during the 1950s
Political Landscape of the 1950s
Opportunities for African American Women in the North and the South in the 1950s
African American Cultural Heritage
Jacob Lawrence
Romare Bearden
Students will prepare a mini-research project that will provide a brief background for their topic and will serve as a starting point for the play.
Students will also choose another painting by Jacob Lawrence or Romare Bearden that appeals to them for discussion after reading the play.
Prior to reading the play we will look closely at the paintings from the Picturing America collection (see Picturing America: Teachers Resource Book) along with the paintings chosen by the students. They will hang in a collage format on the wall throughout the unit so that we may return to them while reading the play.
Once we begin reading the play we will continue to look for clues in the pictures to help us both understand the play and to expand on our knowledge from our mini-research projects.
Putting It All Together
At the conclusion of the play we will return to our research materials and our chosen paintings to see how we view the paintings now. What new elements or items do we see? How does the placement of objects within the painting plus marginal space “read” differently? What might the colors signify?
Students will write a reflective essay exploring their final comments on what they learned in the lesson.
At the conclusion of the lesson the goal is for students to be able to answer the following question: What will happen to the Younger family after the play ends?